flax-golden tales: perpetual teatime

perpetual teatime

perpetual teatime

My grandmother is a bit on the eccentric side. My father always says it’s because she has too much money, but he gets weird about money things so I’m not really sure that’s it.

I love to visit her house. When I was younger I’d play for hours in the backyard. In the garden there’s this table set for tea but everything is bronze, cups and books and teapot and even the tablecloth. When it rains the cups fill with rainwater and I remember it looked almost like tea to my younger self. I think I tried to drink it once, with some difficulty considering the cups don’t come up from the table.

I asked her about it recently, having gotten old enough to wonder where the table and its contents came from instead of just accepting it as it was. She told me that once it was a regular table and she and my grandfather would sit there and read with their tea every afternoon. After he died she couldn’t bear clearing it away and she hired someone to cover the whole thing in bronze, so their last teatime would stay there, always.

When I visit now I leave roses in the teacups.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

flax-golden tales: sentinels

sentinels

sentinels

At first there were complaints about the noise. Not that anyone knows what the noise is, precisely, even though it is rather loud. Whatever it is inside the building, echoing and humming and clicking, remains a mystery.

The bits that spill out onto the surrounding lot are made of stone and glass and wood, pieces without any easily discernible function, sitting quietly while the echoing hum rumbles continuously on.

After a bunch of kids threw stones at the glass the noise stopped for about a day.

The next morning the odd-shaped glass bits that had been shattered were intact again and the eagles were there, keeping watch.

The stone throwing stopped. Everything stopped, really. The graffiti, the robberies, any sort of crime within several blocks just stopped that day and so far it hasn’t started up again.

No one complains about the noise anymore.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

flax-golden tales: heart-shaped cage

heart-shaped cage

heart-shaped cage

Sting told me if I love somebody I should set them free.

I doubt Sting ever loved anyone with wings. If he did he might rethink such a stupid sentiment.

I suppose the point is to wait for your love to come back to you voluntarily.

I wonder if there’s a difference between setting something free and letting it go?

I probably did it wrong.

I should stop taking advice from my radio.

I worry that you’re lost.

I keep a heart-shaped cage unlocked for you, out on the street where it can easily be seen.

So if one day you return at least you’ll have a place to stay.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

flax-golden tales: prelude to the hunt

prelude to the hunt

prelude to the hunt

The jewellery is a distraction. Distraction is a key element of the prelude to the hunt.

They never realize that. Shiny objects are highly effective.

Perhaps some buried instinct tells them to run. To hide. But instinct and wisdom are always lost under infatuation and sparkle.

They don’t even notice the arrow until after it leaves its bow. Flying swift and true and impossibly fast.

By then it is far too late.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

flax-golden tales: letters & measures

lettersandmeasures

letters & measures

When they finally got inside the house, everything was in jars and nothing was labeled. Though it is difficult to say whether or not labels would have been any help. What does one label a jar full of rulers? The jar is clear glass, the contents are as plain as day. Would a label really bring all that much clarity as to why, precisely, those rulers were put in that particular jar?

Thousands of jars, meticulously organized in an indeterminable, label-less system. It must have taken years.

Those charged with dividing the contents were at a loss.

After much debate, it seemed easier to leave things in their respective jars.

Everything in its proper place.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

flax-golden tales: swinging in snow

swinging in snow

swinging in snow

The school has been closed for years. They say that they’re going to turn it into condos eventually but there’s always one thing or another holding that up.

The playground is still there. It’s closed, but all of the equipment was left trapped in the concrete. The jungle gym. The line of swings.

Last night I walked by on my way home from work, just past sunset when everything was getting dim despite the winter white.

And as I passed by the swings they started to sway, deliberately, one by one along the line until they were all swinging, back and forth.

Chains squeaking in the snow-quiet as invisible children swung ever higher.

It would have been frightening if it hadn’t looked like such fun.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.