flax-golden tales: an impromptu ceremony to restore the sun

an impromptu ceremony to restore the sun

We were sick of the winter and we wanted to get the sun back.

We yelled for it but it couldn’t hear us.

We thought maybe it would be able to see us through the clouds if everything wasn’t so grey so we got a lot of paint.  We argued about colors the sun would like but we settled on the brightest, warmest ones that looked summer-hot and sunshine-y.

We put all the bright warm colors in buckets and dragged the buckets out to the backyard. We had to take each color bucket one at a time because they were heavy and we both agreed that the yellows were the heaviest but we couldn’t figure out why.

We painted the house and the trees and the dry grass. We dipped our feet in the heavy yellows and our braids in orange and peach and mango and when we were all covered in sunshine colors we did a sunshine dance and tried to get the cat to dance with us and he didn’t want to but we got him nice and sunshine-y, too.

After the dancing we were tired and it was nighttime and the sun probably couldn’t see us anymore even through the clouds so we went to bed.

In the morning the sun was out and all the paint was gone.


About flax-golden tales
. Photo by Carey Farrell. Text by Erin Morgenstern.

this is a PSA about mice

I should add this to the FAQ, so let’s put it in question mode:

Is there somewhere I can actually get chocolate mice?

Yes. Yes there is.

The chocolate mice in The Night Circus were inspired by the chocolate mice from L.A. Burdick Handmade Chocolate.

(The main difference is that the ones in the book have licorice tails and the Burdick ones have ribbon tails and are also real.)

They look like this:

They come in three flavors: dark chocolate mice with an orange interior, milk chocolate with mocha, and white chocolate with cinnamon.

They also have chocolate penguins. And right now there are bunnies. And they have amazing hot chocolate.

There are locations in Walpole, New Hampshire, Boston & Cambridge, Massachusetts and NYC.

And they ship.

You’re welcome.

flax-golden tales: ghosts in the park

ghosts in the park

There are ghosts in the park but no one else seems to be able to see them.

When I told my mom she said “of course there are, dear” but she wasn’t looking right at the ghost lady even though I pointed.

I tested her, too. I said “isn’t her hat nice and floppy for the sunshine?” and my mom said “yes it is, she must be a sensible ghost to have a hat like that” and then I knew she couldn’t see the ghost lady because the ghost lady wasn’t wearing a hat.

The hatless ghost lady smiled at me but she didn’t say anything.

The next day there were two ghost ladies sitting on the bench but all they did was talk about the weather and politics and shoes. Neither of them had hats.

Now there’s always at least two or three park ghosts. The most I’ve seen at once is five and that day I had to yell at a bunch of kids who tried to sit on the ghost bench and my mom got mad and told the kids and a mom and two dads that I have an overactive imagination.

But the ghosts all said thank you.

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

on time and the not having of it

This post has been a long time coming and I suppose that’s fitting, since it’s mostly about not having time to write. Apparently that includes proper blog posts. Though this is not a proper blog post, this is a long rambling thing about what my life has been like lately.

I am not saying this is how it goes for every author, the more authors I meet the more I realize that it’s a strange sort of career where everyone’s experience is unique despite some overlapping elements. There’s a lot more to being a writer than writing, between book promotion and public speaking and signing things.

The Night Circus came out last September. I spent the weeks leading up to it doing interviews and Q&As and trying not to freak out about the whole thing. I’d also moved over the summer so I was still in cardboard box land.

From September until mid November I was on book tour, or doing book-related things abroad. This involved near-constant travel, I was never in any one location for more than a couple of days at most. I was on more airplanes in the first month than I’d been on in my entire life beforehand.

Here’s the thing about book tours: Yes they are fabulous and exciting and it’s wonderful to meet people in so many different cities but they are also physically and emotionally exhausting. I’m not sure it can be properly explained, it’s likely one of those situations that is near impossible to understand unless you’re the person in it. I feel like I have a better understanding of it now, having gone through it, and a better idea of how I react and what I need to do to keep myself sane, but it was a learn by doing sort of thing.

(And by “learn by doing” I mean “learn by having a near breakdown in the middle of an airport.”)

I am endlessly thankful that having a theatre background makes the whole public speaking thing easier to handle, but being a writer still involves more talking than I’d expected. And it’s hard to find a balance when I’m relating the same stories and answering similar questions, I start to feel repetitive and awkward and sometimes my social anxiety kicks in despite the actor training.

The strangest thing, for me, at least, and this might warrant a separate thoughtful post of its own, is the sudden transition between being the center of attention in a room filled with people to being alone in an unfamiliar hotel room.

(Side note: in two hotel rooms on my tour the concierge left a bottle of wine and two glasses. I still cannot decide if it would be more or less depressing to have a single glass. Which one is a harsher reminder that you’re alone?)

December should not count as a month off because it has holidays in it, and for most of January I was too tired to function.

At the end of January I was on a mini-tour, in a different city every day for a week, and then I had a few days off and then I was in Toronto in early February, which was actually lovely because I heart Canada.

But that means it was mid-February before I was really able to start properly recovering from tour mode.

And it would have been fabulous if that meant I could sit down and work on my next book that has been languishing for months but I also have long-neglected email to deal with and extra content type things to work on for various upcoming paperback editions. More Q&As, this time from more countries, and now people send me books they want me to read and say nice things about and did I mention that there are a few cardboard boxes kicking around from last summer and I’m likely going to be moving again this fall? I’m also just tired, still, and some days grocery shopping or laundry or putting on shoes takes more energy than it should.

Also, my desk chair is broken.

All these things take time. Sure, a lot of the individual things aren’t that complicated or time-consuming but once you start adding them up they eat a lot of time. And I need to allot time to blogging and tweeting and try to have a life in there somewhere, too.

It gets hard to separate work time from non-work time with this sort of job. I have an office (I ordered a new desk chair) but it’s not like I’m in there from 9 to 5 because I don’t have typical days so I end up feeling guilty at 10pm when I’m sitting around eating gelato instead of answering emails even when I’ve spent all day working. This is a mental thing I’m aware of but I still struggle with it, a lot. I’m trying to be better about taking weekends off.

And then there’s that added complication of having people actually waiting for this book. No one was waiting for the circus. I got to write the circus in a bubble, and now the bubble is gone, it will be the only bubble book, ever. I am thrilled that I already had several other stories in varying degrees of not-yet-novel-shaped because if I was staring at a blank page right now I know it would be worse.

For comparison: the circus took five years to write (and rewrite), and I wasn’t dealing with book tours and outside pressure while I was working on it. I am hoping that I will have a draft of my next novel done at some point this year, but right now I have a few months and then a fairly busy summer (my sister is getting married in August, yay!) and then I’ll be touring again in the fall and then it will be Mayan calendar end of the world time and then 2013 because when you reach the end of a calendar you get a new one.

I’m also not going to write faster just for the sake of having the next book out sooner. I want to write the best book I can despite the complications of time and the general busyness my life has taken on. If I can do that this year, that’ll be fabulous. It’ll also mean the earliest that book could possibly be available would be very late next year or more likely sometime in 2014, because once I’m done with it it’s still a long way from being a finished shiny book.

So yeah, that’s the rough idea of why I don’t have as much time to write as I’d like.  I am learning to make time for it, though, all of this is a learning process. I have a whole new life and I’m trying to get the hang of it but I’m still a toddler so I have tendencies to fall down and cry and need a cookie and a hug.

And if blog posts are few and far between and I’m slow on email replies for the next while, I’m sorry. I’m trying to write another book, because really, that part is my actual job.

If you read this whole thing I’m impressed and I feel you deserve a picture of a kitten. (If you skimmed just to get to the kitten, that’s okay, too.)

 

flax-golden tales: springtime wisdom imparted by flirtatious rabbits

springtime wisdom imparted by flirtatious rabbits

On sunny days in the spring I like to sit out in the field, usually with a book and a green tea lemonade. Sometimes the rabbits come very close like they want to see what I’m reading but this was the first time one of them actually struck up a conversation.

There were some almost-awkward pauses and a few clumsy remarks about the weather and he seemed like he might bolt back across the field at any moment, but eventually he settled down for a good long chat.

He mentioned that he doesn’t like carrots, which I found surprising but he called it a cartoon-propagated rabbit stereotype.

He nibbled clover while I sipped my green tea lemonade.

We talked about life and about change. About heartbreaks and choices and difficulties, spring-blooming, equinox rebirth and new possibilities.

He told me that he prefers to hop higher when the ground gets difficult to walk on. His tone suggested this was something of a metaphor.

In that mid-air moment, he said, it feels like flying.


About flax-golden tales
. Photo by Carey Farrell. Text by Erin Morgenstern.

birthday bucket.

Today Bucket is nine years old.

Last year on Bucket’s birthday it was snowing.

Today it is almost summer-warm outside. I hope she doesn’t find that confusing.

She spent most of her birthday asleep on the bed, and was not really into birthday photos.

 

 

She was more interested in birthday tummy rubs, which she got, of course.

 

In non-kitten birthday news, there is not much news. I am still behind on emails and such. I am working on all sorts of things including that blog post about writing and busyness and non-writing things involved in this whole writer gig. I am also trying to be nice to myself and drink tea and maybe actually have time to write, which would be nifty.

Mostly right now I am all about bright blossoming things with open windows and new sandals. Looking curiously at the sunshine and wondering what wonders springtime will bring.

And my desk chair just broke. I can blame Mercury retrograde for that, right?