blank pages

notebooksFor as long as I can remember, blank books have made me anxious.

I love them, though it’s maybe a bit strange to love something that makes you anxious, but I do. I love crisp paper and fancy bindings and the clever little elastics to keep them closed. I particularly love the ones that have pockets in the back though I rarely put anything in the pockets.

I used to get blank books and journals and fill a few pages and stop, having ruined them with lousy handwriting and messy thoughts. And then I’d feel bad about letting them languish and didn’t like having long gaps of time between pages so the rest of the pages would stay blank.

I can’t even count how many once-blank books I’ve owned. I can count the ones I’ve filled cover-to-cover on one hand.

You would think, after all the time and all the words and all the writing, they wouldn’t make me nervous anymore. But they do.

I don’t have the same anxiety about blank pages when I type. Maybe it’s the mutability of a file, the possibilities of a blinking cursor are a more flexible sort, easily taken away again with a few additional keystrokes. I spelt additional wrong on the first try, easily fixed here.

And I type faster than I write longhand.

But I like writing longhand, even though it makes me feel slow and awkward and uncertain. I loved this piece that the lovely Daniel Kraus did on Booklist about writing longhand.

I suspect I just need to do it more, but there’s that horrid feeling of ruining something pristine mixed with too much possibility.

I have a couple of notebooks going for the novel-in-progress and pages upon pages on my computer, but I just pulled out a new blank book to work in and it’s making me nervous. Compounding the nerves that are already there from being back to the writing phase that’s just me and the world in my head and the pages to fill.

I’ll figure it out. I’ll spell things wrong and spill ink and hopefully this will be one of those books that gets filled cover-to-cover, and I’ll be able to make something of what’s inside.

 

flax-golden tales: life tests judged by silent horses

life tests judged by silent horseslife tests judged by silent horses

There are no instructions.

Only the box.

Well, the box and the four horses.

But the box holds everything you need and plenty of things you don’t.

To insure that it is indeed a challenge.

All you truly need to concern yourself with is finding the proper combinations.

There are countless possibilities.

Infinite inquiries.

The horses already know the answers to all the unformed questions.

They’re waiting to see if you know the right ones to ask.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

the enchanted

I have been waiting & waiting for this day. I read a manuscript of The Enchanted by Rene Denfeld last year and loved it so much I wanted to push it on people immediately but I had to be patient because it wasn’t coming out until March 4th, 2014 and hurrah! That day is finally here.

the enchanted

 

This is an exquisitely written, deep, dark book with a marvelous buoyancy that somehow keeps it from being too heavy which is particularly impressive considering it’s set on death row. The closest thing I can think to compare it to is The Shawshank Redemption, but truly I’ve never read anything like it.

And the finished book is just beautiful, with golden horses.

enchanted

Here’s my complete quote:

“The Enchanted wrapped its beautiful and terrible fingers around me from the first page and refused to let go after the last. A wondrous book that finds transcendence in the most unlikely of places, enshrouding horrible things in a gossamer veil of fantasy with a truly unforgettable narrator. So dark yet so exquisite.”

flax-golden tales: a persistent turtle possibly having an existential crisis

persistent turtlea persistent turtle possibly having an existential crisis

The turtle keeps trying to get into the house.

Sometimes it even manages to sneak inside despite the fact that we lock all the windows and doors and rigged a fancy mesh over the air vents.

It just appears, like magic. Tucked amongst the mangoes in the fruit bowl or hidden behind the gin in the liquor cabinet.

Once I found it on a bookshelf in the library. It pulled its head into its shell when it saw me but I think it had been reading Kafka. I put it out in the garden and asked it politely to stay outside like we always do, but it doesn’t understand or it just doesn’t listen.

We tried leaving it in the park once and for a few days that seemed to work but then the turtle was back, scratching plaintively at the windows.

Lately it’s taken to sitting very still next to the river rocks near the koi pond and sobbing quietly.

We haven’t discussed what to do about it but we did take the mesh off of the air vents.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

flax-golden tales: preservation

preservationpreservation

The new things, once found, are immediately placed in glass. Carefully captured in jars or frames depending on their nature and size.

Then they are catalogued and organized for preservation.

Before they have a chance to grow wild.

With time they will harden and dry and become extremely delicate.

(More so than they were before, but such matters are not discussed.)

So delicate they must remain contained.

To free them after glass is all they’ve ever known would be disaster.

It’s safer this way.

They would agree, if they could understand.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.