tumblr & yarn

So I asked Twitter if I should have a tumblr since it’s the one other social media thingamajig that intrigues me and the general consensus was that it would eat all my time but I should have one anyway, so I do now even though I haven’t figured out what to do with it yet. I suspect it will take me a while to get the hang of it.

It can be found at the likely guessable address of http://erinmorgenstern.tumblr.com

Right now it’s just lucky cats and poetry but I suspect there will be more stuff, particularly things from Instagram and will likely be a good in-between betwixt Twitter & here for things that are too big for tweets but too insubstantial for here. Not that we stay all that substantial over here. Have yet to decide if flax-golden tales will be cross-posted.  I might pull old ones to feature over there, since there’s a lot of them now. (This week’s will be #191)

I also believe I promised a picture of the scarf I had been working on forever that’s the first thing I’ve knit in ages.

new noro scarf

It’s several different variegated Noro yarns striped in a 1×1 rib pattern because I am a knitting masochist and also I like knitting things that look cool but don’t require much math or counting.

In other news, I am finally almost to the point of being caught up with things and unpacked that I’d wanted to be at the end of January, so that’s something. I am having ideas about things and generally in one of those buzzy moods that comes from being extra creative and also eating too many Cadbury mini-eggs. Went to the Morgan Library over the weekend and saw their lovely Drawing Surrealism exhibit and it jostled my imagination in just the way I’ve been itching for something to jostle it.

So I have a sugar & surrealism infused brain and a scarf and a tumbly tumblr and almost all of my furniture (my teal chairs are being held hostage) and somehow it is March. All strange but all good, I suppose.

flax-golden tales: order here

order hereorder here

I noticed the neon sign in the kitchen before I went to bed, in that too-tired haze that also leads to mistaking the cat for a dragon. (Though I have seen the cat breathe fire, even in mid-afternoon. I don’t know much about cats and my roommate says it’s just a trait of the breed, whatever breed it is.) So I thought maybe I imagined it.

But in the morning the neon sign was still hanging from the ceiling in the kitchen and while I got my coffee I wondered what “REDRO” meant and then I realized I was looking at the back and it really said “ORDER” in glowing red over a white arrow pointing down accusingly at an unassuming square of linoleum near the sink.

“What’s the sign for?” I asked my roommate when he shuffled in wearing his bunny slippers with the dragoncat draped around his shoulders. The cat sneezed a little puff of smoke.

“It’s for ordering things,” he said, pouring two cups of coffee, one for him and one for the cat. “I thought it might be useful, just stand under it and say what you want and it’ll show up.”

I figured it was for ice cream or pizza, but it works for anything.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

on ARCs and blurbs and (yet again) time

For those of you who don’t know (and I, despite years as a rather avid reader, had no idea until I started figuring out how to get published) an ARC is an Advance (or Advanced) Reader (or Reader’s or Reading) Copy (the C seems to always be for copy). They are also sometimes called galleys, for additional confusion. They’re sent out to booksellers/librarians/reviewers before the book itself is published so people can decide to stock or sell or review it, and they also send them to authors in order to get the little quotable endorsement phrases (blurbs) on the covers or on posters or t-shirts or whatnot. (Blurbs on t-shirts might not be a thing, actually, but someone should look into that. For BEA, maybe.)

So you have likely all seen blurbs on books. You may have already seen blurbs by me on books, of which there are two that are already in book form and two more on their way to being books (I shall give you a peek at the third at the end of this post). I have, to date, blurbed four whole books. I have been sent a lot more than that, though.

This is my current pile of things received late last year & year-to-date, with a bunny on top:

giant arc pile with bunny

 

It’s already more books than I could read in a year, especially a year where I should be writing a novel. (A novel which is requiring reading other not-in-the-pile books for research-esque purposes, too.) Which brings me to a sad but true confession:

I’m a slow reader.

Not like, glacial slow but it takes me a good chunk of time to read a standard length novel. I’ve been trying to keep track of everything I read this year and so far I’m managing about four books a month. So, no too shabby, but not enough to keep up with my for-my-own-entertainment, for writing research *and* please-blurb-me books, especially since the blurb-requesting ones are time sensitive. Like little book time bombs. Luckily they remain readable after the time limit expires. I am working on a way to stop time in order to read more, but so far I haven’t mastered it.

I’ve been trying my best to reply to the expired ones (just sent another batch of analogy-filled emails today) as much as I can, though sometimes I can’t find a specific contact email, and one of the emails I sent in this batch came back with an autoreply stating the editor no longer worked at the publisher. Oops.

Luckily I still have some time to possibly read a decent percentage of the pile but the other thing I have learned through this whole process is that I am absurdly picky. I like a lot of books but the ones I love enough to press on others and put my name on in blurby endorsement form are rarer.

Maybe there’s a book I’ll love in the pile somewhere or one will arrive in an envelope sometime soon (they arrive quite frequently) and hopefully I’ll manage to read it in a timely manner. It’s strange to be asked for such things, and even stranger to me that my name on someone else’s book makes any sort of difference. But I’m glad to be able to help boost the signal when I read something extraordinary.

So the next thing that will be appearing on bookshelves with my name on it is a book I mentioned very briefly in my list of books I read & enjoyed last year. It’s called The Resurrectionist, it unfortunately doesn’t come out until May but I was given an early copy and it’s even more gorgeous than I’d expected.

resurrectionist

 

resurrectionist blurb

 

I got to use so many of my favorite words in that blurb.

That’s another thing, for things I do blurb I try to avoid the “This book is better than kittens” generic sort of quote and try to be as descriptive and evocative of what I liked about it as I can. I won’t tease you with anything about blurbed book #4 since it won’t be out until September, but I seriously spent hours coming up with the right combination of words and I’m still mildly bitter that I didn’t manage to get the word “salt” in there somewhere.

And the moral of this post is I need more time to read. Or more time in general, that would be nice.

flax-golden tales: three small deaths on the back gate

three small deaths

three small deaths on the back gate

When I found the deaths hanging on the back gate I went back in the house to tell my mother, but once she came outside to see them for herself she didn’t seem very concerned.

Oh, they’re just small deaths, she said, picking up the whispy corner of a tattered robe. It slipped through her fingers like water and returned to its ominous hovering. I think the skeleton-face wearing it frowned, but it was difficult to tell.

What’s a small death? I asked.

Death of a hope or a dream, maybe an opportunity, and that slightly bigger guy on the end could be the death of a relationship, but if he is I doubt it was a particularly long one. 

Three seems a lot of deaths all at once, I said. She nodded.

Life insists on happening all at once, she said. So does death.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.

ginger & honey & jazz

I have a cold. It’s mostly gone, down to a lingering cough, but I spent most of the last week preoccupied with being good and thoroughly ill, which was not so fun. I drank a lot of things that involved ginger and honey and whiskey.

Before I succumbed to the Head Cold That Ate Tokyo, I did spend a wondrously lovely evening at The McKittrick Hotel’s Valentine’s Dance.

valentine's dance

There was lovely music and champagne and dancing, of course, and during the Sleep No More portion of the evening I did indeed manage to see things I’d never seen in all my previous visits. And the jazz age attire required rule made everything a bit more surreal in a delicious time-warp way.

Now I’m trying my best to get back up to 100% healthy (I’m probably at 90% right now) and reading an advance copy of Kate Atkinson’s upcoming Life After Life which is absolutely marvelous so far, though I’m only about a third of the way through.

Also I’ve been knitting since my congested brain hasn’t been up for much. I’ll post a picture of the scarf I’ve been working on for ages when it’s finished, which could still be a while.

Still brain-fuzzy and tired but getting better. Still have Bei Mir Bist Du Schoen playing around the back of my mind.

valentine self portrait

flax-golden tales: on the beach in purgatory

on the beach in purgatory

on the beach in purgatory

The beach was cold and partially covered in lingering snow and completely deserted except for a fluffy black dog near the shoreline, he trotted right up to me when I came near.

The dog wore a collar with tags so I checked them but they were only medallions of silver carved in designs with no discernible words.

“I’m not lost,” the dog said, cocking his head at me. “I’m just waiting.”

“Waiting for what?” I asked. He paused before he answered. I straightened his tags because I’d put them askew trying to read them.

“For things that I have no control over to change,” he said after a moment. “Or maybe pirates.”

“Me too,” I replied, and we waited together after that.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.