unpacking

My life is all cardboard boxes and interior decorating at the moment, so you get a random post of randomness today. As I mentioned on Twitter earlier this week, someday I will write a post about how The Night Circus is not Young Adult and it will probably have thoughts about what that means and categorizing books by intended audience and how I think that’s kind of unfair both to books and to Adults of the Young and Old variety, but today is not that day because I have looked at too many area rugs this week and my brain is messy, busy trying to figure out what shade of green tarragon is and whether or not it will coordinate with teal chairs.

Unpacking is taking a lot longer than the packing, partially because I had hired help with the packing and partially because there’s more stuff needed to round out the space here, like rugs in herb-named shades of green, so beyond the cardboard boxes there’s also shopping and it’s like a puzzle, trying to find the right new things to blend both with my old things and the space itself.

(There is likely a writing analogy about revising here and if my brain were up to it I’d probably find it, because I do so love an analogy.)

It’s fun, because I like puzzles, but it’s also a bit overwhelming what with options and choices and I currently have a desk but no desk chair and a lot of the books are still in piles because the new shelf won’t arrive for a couple of weeks.

I have a poster I need to get framed and the dishwasher is broken and I can’t figure out whether I just don’t know where I packed the AA batteries or there weren’t any left pre-move to be packed. I need new lightbulbs.

I feel a bit at sea, though it is a cozy sort of sea, and it is taking me longer to get the place shipshape than I had anticipated, but that’s okay. The cardboard is slowly dwindling. Someday soon I will have a chair and in the meantime there’s still the couch.

Eventually I will have a tarragon and bone rug which sounds like a morbidly lovely thing to have (or a soup) and the apartment ship will be seaworthy. I really was not expecting this boat analogy and I suspect the analogy pirates were here. I warned you that my brain is messy.

Sooner or later I will have a new routine for the new space, and I will have time to work and write and maybe even catch up on the large backlog of email and write proper blog posts with proper analogies in them.

Today is not that day.

(Today is, however, the anniversary of Dashiell Hammett’s death, National Bittersweet Chocolate Day, and my dearest darling sister’s birthday. Happiest of Happy Birthdays, Kerry!)

flax-golden tales: tools to build the stars

tools to build the stars

tools to build the stars

I’ve used the same set of tools as my father ever since I was little, even though they’re heavy and sharp.

They don’t feel as heavy now, but they’re still sharp.

They were my grandmother’s tools, and her mother’s and grandmother’s before that. After they were my grandmother’s they became my father’s, because she didn’t have a daughter and some people said she should take an apprentice instead but she taught my father because she thought it was silly to only teach girls. Now my father has me, but I think he would have taught me even if I’d been a boy because he tended to agree with grandma about most things except how long to keep his hair.

He lets me try different tools to see which ones work better for me. He says the ones that work best for him might not fit my hands the same way and ones that are perfect for me may be nearly useless for him, though I haven’t found any that work perfectly for me yet.

He calls this trial and error. I call them mistakes, but he says mistakes are how we learn.

That’s why he leaves the not-quite-right stars around the workshop, as reminders, but I think he also does it because they sparkle just as brightly as the proper ones.

 

About flax-golden tales. Photo by Carey Farrell. Text by Erin Morgenstern.