cocktails

I’ve been a little bit obsessed with cocktails lately. I’d always been more of a red wine person with the occasional gin & tonic and I knew I preferred Manhattans to Martinis but I hadn’t ventured very far into the often intimidating world of the cocktail.

I’ve been venturing for over a year now and I’m still pretty sure I haven’t gotten that far, but it’s been very fun and educational. I’ve found gorgeous speakeasy-esque bars and developed a thing for coupe glasses (if anyone knows where to find good ones let me know, I have a few I got from Pottery Barn that I love but they no longer have them, hrmph.) My favorite cocktail that I can actually manage at home with some decent flair is a Bee’s Knees, a prohibition era concoction of gin, lemon & honey. (I have made something of a sub-hobby out of trying them with different gins and different honeys.)

(It is worth noting that in a strange sort of way this is all book research. If the circus with all its chocolate mice and Midnight Dinners was a food book, the new one is most definitely a cocktail book.)

(This post has too many parentheticals already.)

This is the first of what will likely be a series of cocktail-related posts as I continue to research and explore. I may include favorite recipes as we go on, but I have something fun for today.

A few weeks ago I discovered (via Twitter, of course) Julibox, which is something like a cocktail of the month club where you get ingredients and instructions for different cocktails sent to your door in a box full of boozy wonderment.

So of course I pondered for all of a few hours before I signed up. I got my first box (collection #7) in mid March.

Everything arrived gorgeously wrapped in pretty paper with matching stickers and I am such a sucker for an aesthetically pleasingly wrapped package that I almost didn’t want to unwrap anything.
julibox wrappedBut I did, because cocktails.

julibox unwrapped

This month’s collection was elderflower liqueur themed which meant lots of St Germain which was happy making because I love St Germain. I suspect I love it even more because it comes in the most beautiful bottles.

There are fancy, incredibly easy to follow recipe cards:

julibox cardsIt includes 2 different cocktails and there’s enough to make 2 of each. (4 drinks total.) They email you beforehand to let you know what you’ll need that’s not in the box, which was lime, lemon & grapefruit for this box. (I always have limes & lemons on hand but I did have to go out and get the grapefruit.)

Both of the cocktails in this box were lovely, one was a spin on a Hemingway daiquiri and the other was a lovely fizzy pear vodka concoction, and of course both had St Germain. I’d give the very slight edge to the fizzy pear one just because it was more in line with my tastes but it was wonderful to try something with light rum that was different than the rum drinks I’ve had in the past. (I tend to be a gin girl, I’m thinking this will be a good exercise in trying things I might not order off cocktail menus or create from my own bar.)

julibox pear flower

I’m already looking forward to next month and I can’t wait to see what cocktail surprises are in store.

sea & salt & submersion

So last week the power of Twitter manifested Neil Gaiman’s upcoming The Ocean at the End of the Lane.

I said this:

 

Truthfully I thought maybe someone at his publisher would have a spare ARC, and if I were lucky I’d get one in a few weeks.

Before the end of the day I’d played Twitter tag with publishing types in both the US and the UK and then one lovely person led to another and then the name “Neil Gaiman” turned up in my email inbox, so a couple of days later I had these:

ocean

Top one is the US version (I love that cover) and the hardcover beneath it is a special edition proof from the UK. They are both beautiful and they are being treasured and petted and read.

I am a very, very lucky girl and I didn’t have to make out with anyone, but if any of the lovely people who led to this want to take me up on that, that’s totally cool.

I curled up with it over the weekend and I wasn’t sure what to expect because I knew nothing about it. Read it in one sitting and loved it. As I said on Twitter afterward, it is soaked in myth and memory and salt water and it is so, so lovely.

It feels as though it was always there, somewhere in the story-stuff of the universe, and I’m glad Neil captured it on paper so well.

And it made me want to write again.

I’ve been working, sorting through notes and drafts and the last of the cardboard boxes, but I haven’t really been doing much raw storytelling writing in that itchy to put things on paper way and this lit that spark again, which is impressive since it lit it with water.

And I got to email Neil Gaiman and thank him personally for that, which is delightful and yet more proof that Twitter is magic.

(I promise to only use the power of Twitter for good and books and not abuse it.)

So I have had oceans on the brain and then yesterday my teal chairs finally, finally arrived (they’d been held hostage in a warehouse and no one thought to call to arrange delivery until they were inquired about, several times) and they are even more gloriously teal and deco than I’d expected and I love them.

And they made me realize that my decorating concept is basically Bioshock.

I can think of worse decorating concepts than “underwater art deco city.” And I like it, it’s cozy. It’s a flavor I can work in.

bioshocky

I’d been thinking about the new novel as an air and glass sort of thing, where the circus was very much paper and fire and earth. And it has been curled up near the sea but I hadn’t thought of it as a water creature until now, and in its way it really is.

It’s very much like figuring out the soup you are cooking needs more salt. It seems too simple but it’s true.

It took oceans on the brain and teal chairs to realize it, even though I think it was there all the time.

Now that I’ve finally had the time to write I’ve been gathering up all my ideas and bits and pieces of scrawled drafts and I’ve been dipping my toes back in to get myself re-acclimated. I think I hadn’t been sure what this story was or wanted to be and over the last week I’ve had a couple of those salt water epiphany sparks and while I don’t know what it wants to be, exactly, I have a better idea.

I figured out over the last two years that while I can write little bits of things I can’t develop a whole novel-world unless I can shut everything else out and live in that world. I need that full-on imagination submersion. And for various reasons I’m only now getting to the point where I can do that.

I’m remembering how to breathe underwater so I can properly submerge myself.

I know I have something here, and I want to get it right.

on ARCs and blurbs and (yet again) time

For those of you who don’t know (and I, despite years as a rather avid reader, had no idea until I started figuring out how to get published) an ARC is an Advance (or Advanced) Reader (or Reader’s or Reading) Copy (the C seems to always be for copy). They are also sometimes called galleys, for additional confusion. They’re sent out to booksellers/librarians/reviewers before the book itself is published so people can decide to stock or sell or review it, and they also send them to authors in order to get the little quotable endorsement phrases (blurbs) on the covers or on posters or t-shirts or whatnot. (Blurbs on t-shirts might not be a thing, actually, but someone should look into that. For BEA, maybe.)

So you have likely all seen blurbs on books. You may have already seen blurbs by me on books, of which there are two that are already in book form and two more on their way to being books (I shall give you a peek at the third at the end of this post). I have, to date, blurbed four whole books. I have been sent a lot more than that, though.

This is my current pile of things received late last year & year-to-date, with a bunny on top:

giant arc pile with bunny

 

It’s already more books than I could read in a year, especially a year where I should be writing a novel. (A novel which is requiring reading other not-in-the-pile books for research-esque purposes, too.) Which brings me to a sad but true confession:

I’m a slow reader.

Not like, glacial slow but it takes me a good chunk of time to read a standard length novel. I’ve been trying to keep track of everything I read this year and so far I’m managing about four books a month. So, no too shabby, but not enough to keep up with my for-my-own-entertainment, for writing research *and* please-blurb-me books, especially since the blurb-requesting ones are time sensitive. Like little book time bombs. Luckily they remain readable after the time limit expires. I am working on a way to stop time in order to read more, but so far I haven’t mastered it.

I’ve been trying my best to reply to the expired ones (just sent another batch of analogy-filled emails today) as much as I can, though sometimes I can’t find a specific contact email, and one of the emails I sent in this batch came back with an autoreply stating the editor no longer worked at the publisher. Oops.

Luckily I still have some time to possibly read a decent percentage of the pile but the other thing I have learned through this whole process is that I am absurdly picky. I like a lot of books but the ones I love enough to press on others and put my name on in blurby endorsement form are rarer.

Maybe there’s a book I’ll love in the pile somewhere or one will arrive in an envelope sometime soon (they arrive quite frequently) and hopefully I’ll manage to read it in a timely manner. It’s strange to be asked for such things, and even stranger to me that my name on someone else’s book makes any sort of difference. But I’m glad to be able to help boost the signal when I read something extraordinary.

So the next thing that will be appearing on bookshelves with my name on it is a book I mentioned very briefly in my list of books I read & enjoyed last year. It’s called The Resurrectionist, it unfortunately doesn’t come out until May but I was given an early copy and it’s even more gorgeous than I’d expected.

resurrectionist

 

resurrectionist blurb

 

I got to use so many of my favorite words in that blurb.

That’s another thing, for things I do blurb I try to avoid the “This book is better than kittens” generic sort of quote and try to be as descriptive and evocative of what I liked about it as I can. I won’t tease you with anything about blurbed book #4 since it won’t be out until September, but I seriously spent hours coming up with the right combination of words and I’m still mildly bitter that I didn’t manage to get the word “salt” in there somewhere.

And the moral of this post is I need more time to read. Or more time in general, that would be nice.

photo post, snowy version.

I am mostly hibernating but I went outside to play in the snow on Sunday.

boots

I made a snow bunny.

snow bunny

And a tiny snowman.

tiny snowman

And I ran around Narnia-looking Central Park in the sunshine getting all pink-cheeked from the cold and had a lovely snow-day day and now I’m back to trying to catch up on life and writing and such.

me in the snow

 

snow tree

 

on input mode, with music

I have been meaning to post this for ages, but here is a link to the beautiful music Aby Wolf did for my Talking Volumes event in Minnesota:

Isn’t it pretty? I am delighted beyond measure that the circus is inspiring such loveliness.

This post started as a random collection of things I’ve been listening to & watching lately but then it started wandering into thinky thoughts about input mode versus output mode which is something I think I’ve blogged about before, and I am still very much in input mode right now. So here’s a bit about the stuff I’ve been absorbing.

I have seen more movies this month than I did total in the previous year or so and I will tell you about them! Briefly.

First there was Cloud Atlas which I saw almost immediately after finishing the book so I was likely better prepared than most and I was surprised how much I enjoyed it. (I enjoyed the book, too, though not quite as much as I’d wanted to. Partially because I liked the middle bits more than the outside bits.) It’s pretty and I liked the choices made with the story structuring. Also the china shop dream sequence bit was worth the price of admission it made me so happy. That said, I worry it would make absolutely no sense to anyone who didn’t read the book. And I’m looking forward to watching it again on dvd because I’m almost more interested in hearing people talk about it via commentary than the actual watching part.

This past weekend I saw Life of Pi which I read ages ago when the book first came out and I thought the film was lovely, the visuals were gorgeous and I was glad they stuck so closely to the narrative of the book, particularly at the end.

In non-book adaptation movies, Skyfall was awesome. I’m not a huge Bond girl but I loved Casino Royale and I really liked this one, too. Particularly the opening credits.

(Now I’m patiently and somewhat skeptically waiting for The Hobbit.)

In other media, I’ve been playing video games. I am not much of a gamer but in the last couple weeks I got vaguely obsessed with Portal & Portal 2 and they made me happy, because they are the thinky sort of puzzles that I love and also the writing is fantastic. Also they gave me an excuse to have cake.

I find sometimes more than movies certain games get my story-brain going more, maybe it’s the decision making part or the unexpected dragons. (I may have a mild Skyrim addiction.)

I’m finally getting better about acknowledging the fact that all this is productive, even though it doesn’t seem like work. I’ve spent a lot of the last year and a half in circus promo mode and it’s hard to crawl back into the writing cave. Well, no, crawling back in the cave is easy, the difficult part is writing and not just curling up with the bats and taking a cave nap. So I need to wander around outside the cave for a bit and see what there is to see, to get my brain re-acclimated to being creative.

And I like finding those things in non-book forms, I find sometimes stories in film or tv or game or theatre or painting or song form spark ideas just as much if not better than reading other books does. They stretch the imagination in different ways.

I think it’s a Julia Cameron Artist’s Way thing about “filling the well.” About taking time to see and enjoy and absorb new stuff to get your creative brain going. That’s mostly what I’m doing at the moment when I’m not stressing about moving and catching up on life and wondering how it is tipping into December already. Absorbing things and drinking tea and letting my brain soak up the good bits. Sooner or later it’ll bubble over and then we’ll tip back into output mode, I’m sure.

Since we started with music we shall close with music, too. Things I’ve been listening to beyond the mentioned-in-Toronto Andrew Bird include the new Bat for Lashes album and the constantly-in-my-head Adele Skyfall theme, but mostly I’m totally late to the party getting into Of Monsters and Men and I cannot stop listening to this album.