2014 state of the nation

I thought 2013 was going to be the year of calming down from the emotional roller coaster and getting myself back on track and writing again. Instead the roller coaster threw me for a few more loops and left me sitting with my head between my knees trying not to vomit more than I would have preferred.

I am feeling better now, but I am really, really tired of high highs and low lows.

When I was writing a lot, before, I was sad. The kind of sad that you swallow and push down and try to pretend it’s not there and you get really, really good at hiding it. To the point where no one believes that you could possibly be unhappy.

I wrote to escape. I lived in my head because I couldn’t feel the sad as much in there.

And over the last couple of years the sad has been going away. I like the life I have outside my head now.

I need to learn how to write now that I’m happy. I like spending time in my head but I don’t have outside things pushing me back in the way I used to.

I’m getting to know myself again, and I need to figure out how this me writes now, in 2014. I took baby steps toward figuring it out last year, and hopefully I can how I approach my head and learn to live there properly again, enough to make the stuff in there book-shaped.

It also means I need to have a low-volume internet year.

I know, it seems to be trendy to be taking social media hiatuses and unplugging and whatnot, but I really, really need it this year. So…

 

A few notes for 2014:

Regarding the blog

I have been habitually posting twice a week, in the highly organized categories of “flax-golden tales” and “other stuff.” The flaxies will continue as scheduled, the other stuff may turn into more photos and little bits of things rather than long writing-heavy posts. Not that I’ve been good about long writing-heavy posts lately, but I’m going to make a point of it this year.

I may also do a site overhaul/redesign mid-year. Pondering.

Regarding Twitter & Tumblr

I will still be Tweeting, maybe a little less than I am. I try to respond to @ replies as much as I can. I am convinced that Twitter eats them sometimes, as well as Direct Messages.

I am currently avoiding Tumblr almost entirely because I live in fear of Sherlock spoilers but I will continue to mostly re-tumbl things I like. I might not keep up with it as frequently as I’ve been trying to. I still haven’t gotten the hang of tagging things.

Regarding Instagram

I will probably be keeping up the same volume of Instagramming.

I very nearly Instagrammed our salted caramel ice cream sundae (with popcorn on it!) at abc kitchen last night but it was too marvelous not to consume immediately.

Regarding email

Nothing has changed since this post. I am finally, finally caught up with my personal/professional email as in things that go to my personal address but the website email is a sad neglected thing that I believe has an autoreply on it that thinks it’s still May. My apologies. Someday I will have a good and proper system for email. Today is not that day. Hopefully I’ll sort it out around that mid-year possible site overhaul.

If you need to contact me for important reasons and you do not have my personal email address please contact InkWell or one of the Random House contacts listed in the sidebar of the blog.

Regarding book blurbs

If you are an editor/agent/etc and have sent me an advance copy of anything for blurbing in the last calendar year I am sorry if I have not gotten back to you. The pile seen in this photo is now nearly three times as high. The bookish time-bomb-ness of them makes me anxious and I’m afraid the vast, vast majority hit their quoting expiration dates and silently detonated before I could give them proper attention.

(For reference: I read 40 books last year, total. It took me all of December just to get through The Goldfinch and no I still don’t know what I thought of it. It would take me more than a year, probably more than two, to read everything in the please-blurb pile right now.)

I don’t know how I’m going to manage in the future but I need to be writing this year, especially the first half of this year. I am sorry I have not been able to be properly communicative about things that are sent to me unsolicited but I’m not sure I can be better about it in the future. I don’t want to put out a blanket “don’t send me things” because I never know what will stand out and capture my attention. I like books. I wish I could stop time so I could read them all. If anyone figures out how to do that, please let me know.

 

 

In summation

I am still trying to figure all this out. How to be a proper author. How to be me. How to be me on the internet. How to be nice to myself. How to keep my hair from going all hobbit-y. How not to get overwhelmed. How to write a novel again.

I am trying. I appreciate your patience and attention. Thank you for reading, always.

horoscope

Cancer Horoscope for week of July 4, 2013

Thomas Gray was a renowned 18th-century English poet best remembered for his “Elegy Written in a Country Churchyard.” It was a short poem — only 986 words, which is less than the length of this horoscope column. On the other hand, it took him seven years to write it, or an average of 12 words per month. I suspect that you are embarking on a labor of love that will evolve at a gradual pace, too, Cancerian. It might not occupy you for seven years, but it will probably take longer than you imagine. And yet, that’s exactly how long it should take. This is a character-building, life-defining project that can’t and shouldn’t be rushed.

Thank you, Rob Brezsny, for making me feel better about this not-yet-novel-shaped thing taking so long.

post-ocean blue dress gratitude

Last week I got to wear a blue (blue! not black!) dress and interview Neil Gaiman and talk about The Ocean at the End of the Lane and admit in front of hundreds of people that I’ve never seen Doctor Who.

(I know. I’m sorry.)

I had planned on doing some sort of post-event blog post but then afterwards I really wasn’t sure what to say.

I had a lot of fun and though I was supremely nervous it went really well and everyone including Neil seemed very pleased with everything. He’s remarkably easy to interview considering he kept answering questions before I even asked them. Perhaps he’s clairvoyant. I met him for the very first time about an hour before we were on stage so the whole thing felt remarkably surreal.

There is an excellent writeup of the evening over on Tor.com (though I think a few of the quotes about whether or not we die may be misattributed).

I had many more questions than we had time for, though my main goal was to talk about things that maybe weren’t being talked about at every single stop on his tour, and we got tiny frogs in teacups and BPAL and Mythic Boy Jesus so I’d call that a win.

One of the last audience questions posed to Neil was “Who is your favourite living writer?” and of course it was a longer list than just one, and included a few recently no longer living writers as well, like Iain Banks and Diana Wynne Jones.

And I thought in that moment how incredibly lucky I was to be sitting there, when I will never get the opportunity to meet the other gigantic influence on my writer-brain I mentioned in my babbling introduction, the incomparable Douglas Adams.

There is a sentiment I am concerned got a bit lost in that babbling during that introduction (I was nervous), which is this:

I would not be the writer I am today without Neil Gaiman.

I’m not sure I would even be a writer at all without him.

I discovered his work at the perfect time for my developing story-brain and I am eternally grateful for that.

I’m not sure the gratitude got properly expressed then, so here’s an extra Thank You, Neil for good measure:

Thank you, Neil.

For your work and for asking me to do this event and for being a real live lovely person.

(Also I am sorry that I inadvertently stole the title of that Batman thing, but The Night Circus is indeed a really good title.)

Erin & Neil

twitter-sourced blog post the second

This is the second installment of the twitter-sourced blog post. This one is book/writing focused in two parts. (Part one is here.)

 

About The Night Circus

I would love to know more behind the inspiration for the Night Circus and a possible sequel?

Possibly bad news first: no sequel. It was never written to be a series, I don’t want to try to make it something that it’s not, so there will be no book two or anything like that. Possibly good news second: I would like to write more stuff about the circus in the future, likely in short pieces of backstory or sidestory or futurestory. No idea when I’d get to that, though.

Inspiration-wise the entire thing started as a tangent in another novel that I was working on for NaNoWriMo. I got bored & sent the characters to the circus. That’s where it started, with the instant manifestation of a circus in my imagination, which at that point had lots of tents and a bonfire in the center though I wasn’t sure what the bonfire was for yet. Poppet & Widget were in that first wandering through the circus, along with their kittens. I decided to write more about the circus though I wasn’t sure what I’d do with it, so I wrote lots of little vignettes about tents, about the creators of the circus, about its performers and fans. Eventually I had enough vignettes to fill a novel and then it was a long road of revising before it reached its finished form.

There are a lot of specific influences and flavors in play, inspirations ranging from Shakespeare and Dickens to Edward Gorey and Roald Dahl. The circus itself is my ideal entertainment venue, elegant and immersive, something to explore in a self-directed way. The black-and-white came from wanting to have a clear-cut visual aesthetic and wanting to give it a formality, a circus in evening wear.

 

A tent you wanted to include but ran out of space in the book for

There was a knife-throwing tent at one point. It wasn’t so much that there wasn’t space for it, but more that it seemed like excessive amounts of knife-throwing.

There was a tent that was removed fairly late into revisions, it’s referred to in passing as being reminiscent of Indonesian puppet theatre. It used to be online somewhere as an excerpt but my search skills are failing me. It’s a paper-screen maze with shifting walls and the puppets, among other things, act out Tsukiko’s backstory.

 

As someone who loves present-tense, I would love to know why you chose to write The Night Circus in present-tense.

The present tense decision was made fairly easily, because I knew from the beginning that I wanted to include sections of the circus itself told in second person. Since the second person sections would have to be in present tense, I thought it would be too jarring to go back and forth between past and present, so I kept everything in present. I also think it worked better for the alternating timelines, keeping everything immediate. I prefer present tense and it’s usually my default writing-wise unless something really reads better in past.

 

is night circus going to be made into a movie?

Possibly. The answer will remain “possibly” pretty much until it’s in theatres, if it ever is. The film rights were optioned not long after the book sold by Summit Entertainment, David Heyman who produced the Harry Potter films is signed on to produce, I believe they’re currently looking for a director. They don’t always tell me things. I’m sure there are meetings and phone calls and such going on that I’m not privy to. I’m involved more than most authors which is still really not all that involved at all, and it’s in the early stages at this point, so it’ll be awhile but when I have updates I’m allowed to share I will share them.

 

Scent and memory.

(This wasn’t specifically circus-related but it fit so well with Widget’s Bedtime Stories tent that I thought I’d include it here.)

I have a lousy memory but a rather good sense of smell. And since the sense of smell has the strongest memory-triggering power a scent will often remind me of something I can’t remember. It’s rather disorienting. The scent of those nut-roasting street vendor carts always does that, especially in winter. I get that nostalgia kick to the olfactory receptors and I have no idea what it’s for. I don’t know if that’s better or worse than immediately being pulled back into the memory proper.

That idea of scent triggering memories and memory-as-story was the genesis of the Bedtime Stories tent. That and a mild obsession with BPAL.

 

About the new book

Literally any hint whatsoever about your next book. Even if it’s one word.

Film noir-flavored Alice in Wonderland. That’s five words. Six if we count the hyphenated one as two. (More words below.)

 

blog about what you’re working on writing-wise.

At this very moment writing-wise I’m trying to write a bunch of flax-golden tales so I can schedule them ahead of time for most of the summer and focus on the new novel. I usually write them weekly so it’s interesting to do several at the same time.

Mostly I’m working on the new novel that is still not book-shaped. Currently this consists of more research than writing, and when there is writing it is scrawled in blue-green ink with a fountain pen. I have more blue-green pages than I did a few weeks ago, though, so that’s something.

 

what is the focus of your next book?

If I knew what the focus was I’d probably be further along than I am. It is a loose riff on an Alice in Wonderland motif so I do have a central protagonist this time but it’s still a bit of an ensemble piece and I’m still putting together the ensemble. It’s a mystery (several mysteries, actually) but I haven’t piled all the clues and red herrings together yet.

If a book is like a jigsaw puzzle I’m still sawing out pieces though I have a few of the already-shaped pieces connected. I’m figuring out more of the flavors and influences for this one, the biggest ones are Alice, of course, and classic detective novels and cocktails as alchemy and Egyptian mythology. I’m worldbuilding and characterbuilding and trying to find the story within all that, and then I can figure out the best way to tell it.

 

when we can expect your next book! 🙂

Not for a good long while, I’m afraid. It’s not finished yet, so I have to do that first. After I’m finished it’ll likely be a year to a year and a half before it’s actually in stores because it’ll need to be edited and prettied up and made all shiny.

I’d rather take my time and write something good than rush just to have another book on shelves. I’ve been working on this one for awhile but I’ve been busy and haven’t been able to sink my brain into it the way I need to until recently.

 

That’s it for the Twitter-sourcing this go-round, thank you to everyone who suggested or asked things and my apologies to the ones I didn’t get to. I will likely do this again sometime.

music post

I’ve been on a search for new music lately because I listen to music when I write. I can’t write in silence but I’m picky about what I can write to. I also like to put single mood-setting tracks on repeat. (I probably should have kept a tally of how many times I listened to Iron & Wine’s “The Trapeze Swinger” while I was working on the circus.) (There is, for anyone who hasn’t seen it yet, a circus playlist over here.)

And writing music is an interesting balance, at least for me, because it can’t be distracting but it can’t be so mellow that it makes me sleepy, either.

My writing rotation changes a lot, I’ve been making playlists that are mostly jazz (Coltrane, Ellington, some Charlie Parker) and some other bits and pieces that I keep adding to whenever something reminds me of how I think the new book should feel.

I just got the soundtrack to The Great Gatsby and while I predictably adore the Florence + the Machine song the one that’s getting the constant repeat treatment is the Gotye track, “Hearts a Mess,” even though it bothers me that the title apparently does not have an apostrophe. I might put it on the writing playlist, haven’t decided yet.

But my favorite recent musical discovery is something different.

This is a band called Houses, their new album is called A Quiet Darkness.

I literally clicked on this album in iTunes because I liked the cover. I’d never heard of them, had no idea what kind of music it would be, just found the cover art aesthetically pleasing.

Most fortuitous iTunes click ever.

Only had to preview a handful of tracks before buying the album, only listened to the album once before also buying their previous album. I can’t even describe them properly, the sound is so lovely and ethereal and layered and it is perfection as writing music.

I tweeted about them and they tweeted back because Twitter is MAGIC and as a result of said magic I now have that beautiful album in LP form with nicely giant cover art, hurrah:

houses lpHighly recommended if you are looking for new music, and you never know what you might create while listening to it.

writing analogy in cocktail party form

I was thinking about doing a proper post about cocktails today but it was going to involve photos of my home bar that I didn’t have time to take to best show off the pretty bottles, and I still needed something to post about.

I’m in writing mode, finally, so I have writing on the brain. Over cocktails yesterday I was discussing writing and since I am prone to making analogies I made one that involved a cocktail party and I was told it is a good one so I am going to share it with the internets.

Let’s start with the party and then we’ll get around to how it ties into writing.

You are throwing a cocktail party. You’ve invited a fair amount of people and you vacuumed and came up with a lighting concept and brought out the nice glassware and there are lots of nibbly things, possibly on sticks.

One of your guests hasn’t met any of the other people there. Hasn’t even been to your home before. Is attending solo.

You want to make sure that this guest has a good time and feels comfortable, but of course, you need to be in host mode, too.

You take their coat when they arrive. You give them a drink. You introduce them to the other guests. You show them where the nibbly things on sticks are.

You get them oriented and check in occasionally, but you don’t hover. If you notice they need a refill, you can subtly swoop in.

You trust they can take care of themselves and have a good time while your attention is elsewhere.

Your guest will pick things up from listening to the music and conversations and wandering through the rooms.

The analogy part is kind of obvious, isn’t it?

The guest is the reader. Your party (and your home) are the story.

You make them comfortable but you don’t hold their hand. Trust them to go with things but maybe warn them about your dragoncat (or just assume that the smoldering paw prints on the carpet will speak for themselves). You don’t even have to tell them what’s in their drink, but they should probably know where the bar is.

It’ll vary from party to party, but the basics of playing a good host are usually similar.

You don’t need to explain every little thing but you need to give the reader something to hold onto, make them comfortable but not overly so.

Keep them on their toes, but make sure they know what kind of surface it is they’re tiptoeing on. Especially if you’re going to pull it out from under them.

So there’s your writing as cocktail party analogy. Use it or ignore it as you see fit. I tend to avoid writing advice beyond the “keep writing” & “rules are more like guidelines” stuff but I think orienting the reader is a sometimes tricksy thing and this seemed to me to be a good way to think about it, though I am overly fond of analogies. And cocktails.

(Next cocktail post will be about actual cocktails, I promise.)