At one point this past Sunday night I was standing alone in a dark room full of artfully illuminated bathtubs. One of them still had a bit of blood in it, but my attention was mostly focused on the tub half-full of water in which a live eel was swimming counter-clockwise circles around and around and around.
A man in a white mask entered from a door across the room and walked toward me. He peered in the tub to see what I was looking at, watched the eel with me for a bit, and then walked out another door, leaving me and the eel alone again.
I was at Sleep No More again, of course. How I missed the eel the first two times is beyond me, but it gives you an idea of how much there is to look at besides the actors. I’m so glad they extended the (now sold-out) run, we have tickets to go again next month before it closes. I will miss it terribly when it’s gone.
I’m in revisionland at the moment, and I’ll hopefully have something resembling a new draft by the time I get to return to Manderley again. I have new text and old text in bits and pieces and divided up into different Scrivener files at the moment, but I think it’s going well. It’s more like writing a new novel with bits of the old one in it, rather than adding new bits to the old version this time, but I think that’s likely a good thing at this point.